God Syndrome – Controverse (2016)

god-syndrome-controverse-480

Time and time again I have declared my dislike to groovy metal-core. And here I am reviewing an album that stands with one foot in it. No, it’s not dry season. Rather the opposite. It’s just the simple fact that this is a killer album despite its grooviness (or –for people that aren’t me– thanks to exactly that).

God Syndrome come from Samara, Russia. Have I told you lately how the Russian extreme metal scene is becoming a really great one? This is another example of this fact. With one foot knee-deep in American tech-death-core and the other in Swedish melo-death, they present an annihilating mix similar to Hypocrisy on steroids.

The album starts with a tech-y catch-all track, one to lure the average generalist metalhead, but shortly after that it gets a character of its own (and gains the review slot). The songs flow beautifully and you won’t even notice its almost hourly duration. This in my book counts as great songwriting.

The guitars are expertly performed, especially for a lead-packed album such as this one. These melodic leads are pretty trippy to the point of melancholy, bringing late Septic Flesh and Hypocrisy to mind on many occasions. The vocals are perfect and fit the music in both its brutal and melodic phases. The drums are intense and really well composed. Always on target –no matter the experimentation– they manage to give the right atmosphere to every riff. The bass here takes on a more supportive role. Clean and powerful, it glues all the pieces together.

Sound-wise, the production is perfect. The instruments are well separated and mixed properly. Special care has been given to preserve enough “air” to let the dynamics do their part.

Overall, this is an album worth your time and money. I never really expected to say something like that for an album with a –core synthetic in it but honestly, anything less would be a mean lie. It has enough power to satisfy every extreme death metal fan, and enough groove to satisfy pretty much every other metalhead. Fans of Hypocrisy around “The Final Chapter” era will surely love it (this is the third time I dropped their name so I really mean it)! HIGHLY RECOMMENDED.

For more info follow them on facebook: https://www.facebook.com/godsyndrome

Noteworthy Report: March 2017

Welcome my friends to a very, VERY late Noteworthy Report of Against The Fragmentaire. As you know, ATF is a project I run on my free time, and these past two months were busy as fvck putting me off track.

In today’s overcrowded metal scene, more than 100 albums get released every month, and March had more than his fair share of “big” releases, from the highly anticipated fourth album of Woe, to a new Forteresse release, and from the –also highly anticipated– furious album of The Furor to the debut of all-star Doedsvangr. On top of the fierce competition for fan attention, Mastodon released their new album which –as uninspired as it is– overshadowed pretty much everything else.

Yet the underground never sleeps; if you aren’t easily entertained by the “low hanging fruit”, March came with some impressive gifts that passed under the radars of big publications. Without further ado, these are some of the most noteworthy releases.

 

Vacivus – Nuclear Chaos

The UK blackened deathsters (ala-Portal) return with a short but killer EP. Soul crushing riffs reduce everything to dust. Nuclear Chaos is upon us, embrace it or perish!

 

Harvest Gulgaltha – Altars Of Devotion

In a similar vein, Harvest Gulgaltha play “cryptic necromantic black death metal”, or in other words, minimal blackened death. The majority of the album is slow-paced and feels like sinking in quicksand. So much gloom and despair it feels otherworldly.

 

Mistveil – Amnesia

This is quite a debut from my compatriots Mistveil. They play melodic doom/death metal in the vein of Saturnus and early Draconian. I personally enjoy such music during the cold winter nights, but this is just my preference and timing isn’t a factor of quality in any case. You don’t want to miss it!

 

Nordland – European Paganism

This here is an album with what I call a “barrier-to-entry”. The first minutes of the album feel like they pointlessly thrust in every direction, but at some point you get what they try (and ultimately manage) to do. The album is exactly what the title says: they pick threads from pagan black all over Europe, and join them in a unique piece of art. You will hear Enslaved (both early and late), Ancient Rites, Fen and a bunch of other influences beautifully married in unity. A really interesting as well as demanding listen.

 

Wormwood – Ghostlands: Wounds From A Bleeding Earth

The Swedish folk black-metallers released their debut album this month. Filled with mostly awesome stuff, fans of Thyrfing and Amon Amarth will want to check it out. There are some odd, off-putting, Iron Maiden-ish moments here and there, but I guess this never killed anyone…

 

Pillorian – Obsidian Arc

Born just this past summer by veterans of the scene (including John Haughm of ex-Agalloch), Pillorian released their debut album in March, sharing their take on avant-garde folk black metal. If you’re a fan of USBM don’t skip this album…

 

In the following days I will release the April NWR, as well as a special NWR of releases that I listened and cared enough to share but fell through the cracks of time and ultimately never got to talk about them. So stay tuned, and as always, don’t hesitate to get in touch.

Interview with Ossuary Anex

A few days ago I got the chance to talk a bit with Russian brutal deathsters Ossuary Anex (if you remember them from the review of their latest album I did a few months back). This interview is quite revealing, especially if you aren’t really familiar with the Russian metal scene. It is a somewhat long read but as always, it is going to worth your time.

Give me a bio of the band so we can get to know you better.

Max: Ossuary Anex was created by me in 2008. (Before that I was playing in an Occult Death Metal act called Daemon). Nothing particularly remarkable was in our bio. The line-up changed often during the early years, so the group evolved slowly. But it may be noted only the release of our debut album in 2012. And In 2014 Kirill joined us as lead singer. I think it was a turning point for the band. He was the missing element for us, and our puzzle was completed with the arrival of him. From that moment the new life of the band began to take form in which it is now.

Actual Line-up: Kirill – vocal, Simon – bass, Sergey – Drums, Max – guitar.

You released your second album “Mutilation Through Prayer” a few months ago. What is the feedback so far? Are you watching the sales, are they going as you expected?

Max: We get a lot of positive feedbacks so far, sometimes even rave reviews. Some positive articles were written, for example by Frank Rini, another on Hellmagazine, or your own review etc. It’s really cool! But we are not watching the sales of our label, perhaps it is too early to think about it.

Have you gotten the time to reflect on the album? If you were back in the studio, is there something you would change in it?

Max: It’s been over 3 years since we started working on this album. Of course, we have been changing during this time, as well as our attitude to music. This album captures the vision that I had when the work began. Despite the fact that it was released not long ago, it shows where we were three years ago. The recording of the album stretched across almost two years. Sometimes it was not easy. If it were possible to make the album for a lesser period, I think it would be much better.We could have made a more thought out, more perfect record. When a recording stretches for a long time, fatigue accumulates, interest reduces. Everybody wants to finish as soon as possible. And quality may deteriorate. But I wouldn’t like to change anything in it. This album is just a slice of our history. Now we have a different view, and we will translate it into new things.

Most brutal death metal bands are into blood/gore culture when it comes to lyrics. You on the other hand decided to tackle religion. Why is that?

Kirill: I think religion is a great evil for people. Religion causes war, intolerance and ignorance. It makes a man a slave and a pliant puppet in the hands of liars. I hate that shit!

Max: It should be noted that some obscurantism has been increasing in recent years in our country. The Middle Ages return. The Church has been gaining strength. It influences the politics and culture. Religion has been becoming a national idea. In addition, “insulting the feelings of believers” became a criminal offense in Russia. Orthodox activists cancelled theatrical performances, exhibitions, and concerts, if they think that it is something blasphemous and no one can do anything about it. For example, concerts of Cannibal Corpse, Behemoth were canceled in 2014 in some cities. All concerts of Belphegor were canceled in 2016. Strictly speaking, our album is outlawed in our country today. But we are not known by the masses, we’re an underground band. If we were a famous band, we would have had problems I think. That’s why religion is an urgent topic today.

The album has some astonishing artwork. Care to tell me who did the cover and how you came across each other?

Max: Thanks! It was created by W. Smerdulak. He is a quite famous artist and designer in some circles. Initially, we didn’t have a definite idea about our cover art, but we clearly knew what we didn’t want. We talked with the boss of our label about it. And he said: «I’ll take it upon myself, I know an artist that you need». We trusted him and decided to agree. When we got the first sketches, it was not so clear what we would get in the end. But when the work was finished, everybody liked it and only small changes were made.

Are you happy with your label’s support so far?

Max: Yes, quite. These guys are really decent. We began to look for the label, as soon as we had finished the recording. We sent out our stuff without mixing to many labels. Max (boss of our label) answered immediately as he listened to our raw tracks, and offered us good terms. We received suggestions from several foreign labels. But the offer of Lord of the Sick Recordings was the best that moment. In addition, I knew Max for many years as an ideological person and true fan of extreme music. After signing a contract he and his team set to work very hard. Almost around the clock we kept in touch with him. He was responsible for creating the cover art, the booklet design, also participated and helped us in our work with the studio, which was mixing our stuff. The good support was provided after the album’s release. Considering that it is underground and young enough label the work has been done perfectly.

Where do you draw inspiration from?

Kirill: I try to draw inspiration from the shit that’s going on in the world. Some texts from the new album were inspired by the Old Testament. This book is saturated with blood and horror, the best inspiration. Sometimes an idea comes to my head by itself and I try to write it down immediately.

Max: Usually I draw inspiration from dark and gloomy music. Although I listen to different music styles. Sometimes black metal, sometimes death metal, folk, new age etc. Quite often I visit concerts of symphonic music. I like Mussorgsky, Prokofiev, Borodin, Schubert, but especially Schnittke, he is an absolutely crazy composer, I call him “The God of music“, hehe.

What is your creative routine? Is there some piece of gear you wouldn’t be able to work without?

Sergey: We wouldn’t be able to work without our guitarist. Max writes all the music. Then together we work with parties and make changes if necessary. When the music is ready, Kirill applies text to the music.

What are your future plans? Do you have any shows booked?

Max: Ossuary Anex have a Russian tour with Relics of Humanity and Darkall Slaves in May 2017. In Autumn we’re planning another tour and a couple of separate shows. Besides, we began to work on a new album, we have a lot of ideas. We would like to achieve even more natural and dark sound. By the way, Justin DiPinto (a former drummer of Malevolent Creation, Pyrexia, Mortal Decay, etc.) agreed to participate with the drum work on the album. We sent him an outline of our new things, and he was quite interested. Sergey, our permanent drummer will concentrate on preparation for the concerts.

What are some of the difficulties extreme metal bands face in Russia?

Sergey: The main difficulty for extreme metal bands – little interest in this kind of music. In our country, people treat minorities and subcultures with suspicion. Few people go to concerts of extreme music. No culture of buying music. Everyone’s downloading from the internet.

Max: …and as a consequence it is difficult to find good like-minded musicians.

Tell me about your local scene. Are there any notable bands I should research?

Max: The extreme scene in Russia is very unstable. I don’t know groups that have been being active since the 90s, which have been regularly releasing albums, constantly performing, were well known throughout the country, like Greek Rotting Christ for example. There is a death metal band Miscreant from our city, they have been playing since 90s, but now are almost inactive. There is old band Alkonost, their earliest stuff is awesome – rough pagan metal, but their new work is not so interesting. But many decent bands began to appear in the last 10 years about in deferent styles. Black Metal: Drauggard, Grey Heaven Fall, Vedmak, Neron Kaisar. Death Metal: Cephalic Impurity, Grond, Pyre.Grindcore: Internal Damage, Fitcage, Disact, etc.

Simon: There are a lot of extreme metal bands in Russia, but not many bands linger on the stage. Remarkable bands for me – Disact, Visceral Disorder.

Any albums you got to listen lately that you feel deserve more attention?

Max: I recently listened to an album of Apparatus (Copenhagen) it’s called the same – Apparatus (2015). I really like it, very dark and atmospheric music. And I think almost all the releases of Lavadome Productions deserve more attention.

Great, I haven’t heard of them, but I sure will. Now, what do you know about the Greek metal scene? Do you have any favorite bands?

Kirill: I’m a big fan of Rotting Christ. I really like Triarchy of the Lost Lovers, I listened to this album a million of times. It used to be my favorite album. Well and early Septic Flesh of course.

Max: The Greek metal scene is very rich and diverse! One of my favorite bands – Inveracity, I love their album Circle Of Perversion (2003). Then, I know guys of Sickening Horror, they had a Russian tour in 2009, and I organized the concert in our city for them, they even couch-surfed in my flat! Also Dead Congregation – awesome band. Besides, I know Greece has a very strong black metal scene! I listened to Necromantia, Varathron, Zemial, Lord Impaler, Agatus, Burial Hordes and many more!

Ok, you covered pretty much everything. To wrap it up, is there anything else you want to add?

Thank you for the questions, it was very interesting to answer them, and thank you again for your review of our album!

Follow them on https://www.facebook.com/OssuaryAnex

Noteworthy Report: February 2017

In today’s overcrowded metal scenes, more than 100 albums are being released EVERY MONTH. Through ATF I try to review 2-3 of those albums, the ones that really worth it and don’t get as much credit as they are due. Unfortunately, this means that an awful lot of good albums are not going to be reviewed. This is why I post the “Noteworthy Report”, a monthly installment with albums that are either too noticeable to miss or albums that sound promising but I didn’t have the time to pay as much attention as they deserved.

As always, I will begin with the albums that usually pass under the radars and put the “established” acts in the end, since you probably got to listen to them already. If you believe some other way of order would serve the bands better, let me know in the comments.

 

Scuorn – Parthenope

Italy’s Scuorn have almost a decade on his back (yes, this is a one man band), but only released their debut just the past week. Symphonic black metal (that will remind you the great Limbonic Art at points) with a Mediterranean folk twist. Sounds really promising. Added bonus: the second CD comes with the orchestral versions of the songs.

 

Pure Wrath – Ascetic Eventide

Debut release for this one man band from Indonesia. Nice atmospheric black metal and a sound quality I wasn’t really ready for. At points the repetitions feel somewhat uncalled for, but the overall impression is a good one. I wish I had more time in my hands to focus in this album. If you do, don’t miss the chance to give it a spin.

 

Guerra Total – Nihilistic Malthusian Manifesto (The Ouroboros Cosmic Indifferentism)

Whoaaahaha! Total war is sure what is going on in this album. South American blackened thrash featuring some weird piano/synth moments that -once I got used to- actually managed to keep me interested throughout the duration.

 

Eterna Rovina – Metamorfosi

Another one-man band from Italy that plays mid-tempo atmospheric black metal. The album starts with some uncertainty, but a few songs in it picks its own direction and stigma. Don’t let the obvious mastering blunders turn you down, this is just the perfect stepping stone for improvement.

 

Sinister – Syncretism

Need I say anything more? Really?

 

So, what are some other interesting extreme metal albums that got released in February? Let us know in the comments…

Noteworthy Report: January 2017

In today’s overcrowded metal scenes, more than 100 albums are being released EVERY MONTH. Some of them are awesome, most of them are not. Through ATF I try to review 2-3 albums every month, the ones that really worth it and don’t get as much credit as they are due. Unfortunately, this means that an awful lot of good albums are not going to be reviewed.

This is why I post the “Noteworthy Report”, a –hopefully– monthly installment with albums that are either too noticeable to miss (so no point to write yet another review just to get some traffic), or albums that sound promising but I didn’t have the time to pay as much attention as they deserved.

I will begin with the albums that usually pass under the radars, and put the “established” acts in the end, since you probably got to listen to them already. If you believe some other way of order would serve the bands better, let me know in the comments.

 

Acrosome – Narrator and Remains

This is the second full length for the Turkish one-man band. Nightmarish ambient covered in a fog of murky avant-garde black metal. There are many elements I didn’t really liked, but the overall impression the album did to me was very powerful. Few dare to execute this kind of music, and fewer do it properly. Acrosome tried and delivered.

 

Afterblood – Blood Art Tryptych (EP)

I wasn’t aware of this Greek blackened death metal act, until we shared the stage half a year ago. Their energetic show was captivating, so when they released this new EP I was eager to check it out. The overall impression is very good, even if I mostly prefer their blackened moments (see Behold The Fallen). Definitely worth your time.

 

Begerith – A.D.A.M.

I knew I was in for a treat with this album even as the intro was still unfolding. Polish blackened death metal, closely following on the steps of late Behemoth. Astonishingly majestic, majestically astonishing.

 

Draugsól – Volaða Land

This is a cliché joke by now: there is something in the waters of Iceland, no other explanation for how they manage to have so many, so talented, so high quality extreme metal bands up there. Draugsól are no exception.

 

Scáth Na Déithe – Pledge Nothing But Flesh

Now this is a tricky beast. These guys manage to instill a heavy, mournful atmosphere to their black metal, dispelled only by the constant gear shifts from doom to high speeds. Parts of it are pure nightmare material, parts are direct whispers from the outer planes, and parts are just Irish black metal. Interesting listen in any event.

 

Enepsigos – Plague of Plagues

This is a hell of a debut. The Norwegians start their album with somewhat careful tracks, but as the clock gets ticking they raise the bar higher with every passing song. Less than halfway in, they finally stand up for their bio proclamation: this is some Trve Norwegian Black Metal. The ‘groove’ didn’t do me any good, but some riffs are pure poison. Don’t miss it.

Listen to the whole album here: https://drakkar-productions-official.bandcamp.com/album/enepsigos-plague-of-plagues

 

The Flight of Sleipnir – Skadi

The Americans return this year with their 6th album of ethereal progressive black/doom. The slowly unweaving tracks create the perfect otherworldly atmosphere to accompany your whiskey. Too bad there are not as many hours in a day to properly enjoy this.

 

These are some of the most impressive releases for the first month of 2017. If things keep up like this, I can safely bet this is going to be a hell of a year!

Noteworthy Report: Rest of 2016 (4/4)

The time has come to close this 4-part Noteworthy Report. These albums and EPs made my year SO much better and if you have compatible music tastes (which is why you are here probably) I can guarantee they will make yours too if you take the time to listen to them.

 

Paul Ozz – Tartarvs

While it is hugely common for black metal musicians to form one man “bands”, the same is a rarity in the death metal scene. Paul Ozz is a hard working musician who managed to put together a little gem of progressive death metal in the form of an EP. He also released a new single just this month.

Listen in full here: https://paulozzmusic.bandcamp.com/album/tartarvs

 

Panzerfaust – The Lucifer Principle

If you ever wondered how the end of the world would sound if you were trapped in a dusty cathedral while it was happening, this EP has the answer. This is some dark black metal.

Listen here: https://soundcloud.com/decibelmagazine/sets/panzerfaust-the-lucifer-principle

 

Perennial Isolation – Epiphanies of the Orphaned Light

This is the third album for the atmospheric black metal band from Spain, and I got to say, they did a tremendously good job at every aspect, from the compositions, to sound, to artwork. The moment you hold this CD you know you’re in for a ride through misty forests. Highly recommended for fans of Agalloch and Fen.

 

Sol Sistere – Unfading Incorporeal Vacuum

Chile has a quite small metal scene, but the few names that made it out of the ‘deep underground’ are of such remarkable quality that makes up for their numbers. This one here is one of the best atmospheric post black metal albums I heard all year.

 

Sinsaenum – Echoes Of The Tortured

Interesting mix of black and death metal. Some DM parts felt underwhelming, but otherwise it is a solid release. Amazing lead guitars and all kinds of cool stuff going on with vocals, and how couldn’t be with three singers one of whom being Attila Csihar…

 

Sojourner – Empires of Ash

Murky, atmospheric black metal bordering pagan folk. For fans of Summoning and Saturnus alike. Quite enjoyable for slow evenings.

 

Sylvaine – Wistful

Shoegaze post rock with a few blackened moments that bring Dismal Euphony’s ‘Soria Moria Slot’ to mind and others reminding late The Gathering, while still carrying a personal brand. Pretty good music to relax you after a hard day.

 

Spire – Entropy

An album that is constantly switching from agonizing Doom/Death to rabid Black metal. It resonates a murky gloomy atmosphere even in its most energetic moments. Excellent work from the Aussies.

 

Temple of Katharsis / Faceless God / Sulferon – Knights Of The Northern Black Empire

The one thing you will immediately notice upon playing this split is the primitive production and sound. But as I stated opening the series of this “Noteworthy Report – all of the great releases of 2016 I didn’t get the time to mention during the year”, I AM giving a break to the least established acts. Once you allow your mind to focus on the music, you will find 6 killer compositions that present 3 different aspects of the Greek underground. Sharp, short and to the point.

 

The Foreshadowing – Seven Heads Ten Horns

There are parts of genius and parts that threw me off, pretty much in constant exchange. It still sounds like a dream, it manages to carry you away. Two Horizons is one of the most beautiful tracks I’ve heard this year.

More info here: https://cycloneempire.bandcamp.com/album/seven-heads-ten-horns

 

Thy Worshiper – Klechdy

Magical, paganistic neofolk, prog black metal from Poland. It sure sounds interesting but can it be good too? Short answer, YES. If Ravenloft was a real place, this could be its folk music.

 

Ultha – Converging Sins

This album generated some hype, and rightly so. Unfortunately I found the majority of vocals not really matching the music which is a masterpiece. Still it is a great album that will give you goosebumps on many occasions throughout its duration (which is slightly over an hour).

 

Urgehal – Aeons in Sodom

Old school Norwegian Black/Thrash. Is there really anything to say about Urgehal? If you never heard of them before, well, you’re a little late…

 

Urfaust – Empty Space Meditation

Urfaust is a band I always liked for the ritualistic occult paranoia of their music, and I always admired for their ability to transfer the feeling of their recordings on a live setting as a duo. Empty Space Meditation carries the heavy air of Der Freiwillige Bettler, yet the maturity of the band in this new release is striking.

 

Voidthrone – Spiritual War Tactics

If you ever go on a journey through some barren desolate hell-hole, this is THE must-have soundtrack to heighten your despair. Dissonant black/doom from USA at its best.

 

Void Omnia – Dying Light

This is the debut album of this newly formed American melodic black metal band, and I must admit they did a hell of a good job. The contemporary US BM scene is becoming quite the thing lately.

Listen here: https://voidomnia.bandcamp.com/album/dying-light

 

Winterfylleth – The Dark Hereafter

The lads from UK are on fire for yet another album. Melancholic, misty, atmospheric black metal, and a brave cover of Ulver’s “Troldskog Faren Vild” compose an instant classic. Don’t miss that one.

 

I haven’t included the albums that I presented in previous Noteworthy Reports (in November and December), nor the albums I reviewed (Deathkin, Battle Dagorath, GreyAblaze, Ossuary Anex, Diabolical) as this would be redundant. The fact I got to talk about them in the first place means that they ARE so special.

If you discovered some other albums that I may missed and you believe I will enjoy, feel free to let me know in the comments…

Have a fucking great week everyone!

Noteworthy Report: Rest of 2016 (3/4)

The sad thing about early EoY lists is that it pretty much renders EoY lists moot. You are supposed to present your readers with the list of what albums you think are the best releases of the year. But when you publish them early, a lot of great releases are left out (as if a release near the days when people are buying presents isn’t a valid strategy for bands), so it actually is a list of “best releases of the year so far”. Then why not do it in October? “Don’t be ridiculous, this would just mean best releases of the year so far, it won’t be the best releases of the year so far close to end of year”. Right.

Anyway, enough chit chat and on to the meat.

 

Inquisition – Bloodshed Across the Empyrean Altar Beyond the Celestial Zenith

Inquisition prove one more time that even when they have a bad day, they can do far better than most ‘mainstream’ black metal bands.

 

In the Woods… – Pure

Now this is some comeback! I never really hoped for a second “Heart of the Ages” and so I wasn’t really disappointed that they didn’t deliver one. Still, this isn’t some half-arsed attempt to grab easy money using your past glory as many bands usually do (Gh-Venom-gh). Listen to it, it REALLY is In The Woods

 

In Vain – Mantra

Progressive Black/Death Metal from Norway. Took some 4-5 minutes to grab my attention, but from then on it was a breeze, despite some odd moments. Fans of Borknagar should not miss this.

 

Imperium Infernalis – Imago Dei

Nightmarish vocals, exquisite drumming, tormenting riffs, forge this extraordinary album. Progressive black metal made in Greece. Don’t miss this!

 

Kawir – Πάτερ ‘Ηλιε Μήτερ Σελάνα

Kawir are probably the oldest and most respected Pagan Black metal band in Greece. This album is a bit more heavy metal centric than their previous works but it is still amazing. HAIL KAWIR!

Listen to the album here: https://ironboneheadproductions.bandcamp.com/album/kawir-father-sun-mother-moon

 

Kosmokrator – First Step Towards Supremacy

The biggest drawback here is some of the drumming which in some cases feels out of place. Overlooking this, there are some great riffs, extraordinary vocals and an effort so solid you will sh*t bricks.

 

Lux Divina – Walk Within the Riddle

Spanish black metal with a feeling, for fans of Wolves In The Throne Room. Very well thought out compositions, tight and focused play and an excellent production. Give them your attention, they worth it.

 

Mistur – In Memoriam

Sognametal is alive again! If you don’t know what it means then I guess you don’t know about Windir. If you do know what it means, I can only add this comes right after “Arntor” in my preferences. YES, it is THAT good!

Listen in full here: https://mistur.bandcamp.com/album/in-memoriam

 

Murg – Gudatall

Grim and ferocious Swedish black metal. It could be a masterpiece, but somehow they manage to abruptly dismiss all the tension buildup, which will make you feel awkward in many cases. A very good album nonetheless.

 

Netherbird – The Grander Voyage

Finely crafted Swedish melodic black/death metal. The album flows from start to finish as a beautiful stream of music, revolving around a main theme and using it playfully to cross boundaries and genres. Nothing you haven’t heard before (not THAT important to me anyways), it has its fair share of epic moments.

 

Novembre – Ursa

Partially doom, partially prog, partially death, this wild mix is probably the best album Italy gave to the world over the last years. Highly recommended for fans of late Enslaved and Fen, and to anyone who appreciates well composed music actually.

Buy it here: https://novembre2.bandcamp.com/album/ursa

 

Negură Bunget – ZI

When you merge the folk tradition of Transilvania with natural ambient black ‘n’ roll the result is certainly weird, and paradoxically sounds great. A rewarding listen…

 

Nahtrunar – Existenz

When this album got released halfway in December, I knew it was going in my EoY list within minutes. It deserved to spread like wild fire, but unfortunately most major publications had already closed their lists and articles for the year at that time. If you are serious about your black metal, you CANNOT afford to miss such a finely crafted album.

 

Plebeian Grandstand – False Highs, True Lows

We used to say that there is something in the Icelandic water that turns its youth into super-musicians. I am starting to believe that there is something going on with French water too. Relentless experimental black metal, in the vein of Deathspell Omega. Top notch.

 

Prosternatur – Abyssus Abyssum Invocat

Ritualistic experimental black metal. I don’t have much to say about it, it is *almost* a masterpiece. There were a handful of moments that disturbed the whole atmosphere that was building, but apart from that, the album is really haunting. Great release.

 

Verwoed – Bodemloos

Bodemloos in English means bottomless, and this EP is exactly that. The loose structures of the songs pull you toward a spiral to the depths of hell. Nightmarish black metal is what the Dutch are good at, and this is no exception.

 

So this was the 3rd part of my list of noteworthy releases. One more to go, and then I might even tell you which of all those are my favorites. Have a great weekend everyone!